Aspiring science-fiction authors receive one piece of advice above all others: Forsake the adverb, the killer of prose. It’s terribly, awfully, horrendously important. But why? Really, adverbs aren’t ...

Good questions have been piling up in my inbox lately. Ed in Albany, N.Y., had a question about a recent column in which I mentioned people “who just won’t stop using the word ‘over’ wrong.” Here’s Ed ...

“John quickly pulled out his gun, shakily aimed it at Joe, and angrily shot him dead.” There’s one way you might write a line of fiction (or, if you’re a member of my immediate family, memoir). Here’s ...

There are three rules for writing a novel. Unfortunately, no one knows what they are,” said W. Somerset Maugham. That hasn’t prevented many writers (and non-writers, or Maugham himself) from ...

I am gladly, fully, openly in support of adverbs. Despite our democratic ideals, schoolchildren throughout America learn that not all words are created equal: Nouns and verbs make sense of the world, ...

No part of speech has had to put up with so much adversity as the adverb. The grammatical equivalent of cheap cologne or trans fat, the adverb is supposed to be used sparingly, if at all, to modify ...